artwork
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Her Feminine Nature is not Her Sin
(do not cut cut), 202029.5 x 21 cm
pencil, watercolour, watercolour pencil on paper*
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Her Interior Castle, 2020
29.5 x 21 cm
pencil, watercolour, watercolour pencil on paper*
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Her Feminine Nature is not Her Sin
(under the sewer), 202029.5 x 21 cm
pencil, watercolour, watercolour pencil on paper*
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Spirit Mother, 2020
23cm x 30.5cm
wood, gold paint, jute, silk, cotton, wire
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Recording Connections, 2016
21 cm x 21cm approx
fired grog clay
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You Float in Connective Tissue, 2016
(Between Materials and Mechanism)
fired grog clay, cotton
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Your Connective Tissue, 2016
(Between Materials and Mechanisms)
cotton
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Connecting Out, 2016
(Between Materials and Mechanisms)
cotton
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Muscles are Textiles. 2016
(Between Materials and Mechanisms)
cotton, jute
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Muscles are Textiles, 2016
(Between Materials and Mechanisms)
cotton, jute, removed wall panel
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Your Plastic Brain (2), 2014
28cm x 38cm
calico, shellac ink, polycotton thread
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They Repeated Symbols, 2013
120cm x 56cm x 10m (approx)
high grade lining paper, shellac ink, monofilament, wood, nails
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They Repeated Symbols, 2013
120cm x 56cm x 10m (approx)
high grade lining paper, shellac ink, monofilament, wood, nails
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Lingua Senza Parole, 2013
70cm x 15cm x 4cm
shellac ink, abaca paper, cotton, acryl yarn
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Not to Scale, 2011
150cm x 120cm approx
cartridge paper, tracing paper, pencil and pins
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Not to Scale, 2011 (detail)
150cm x 120cm approx
cartridge paper, tracing paper, pencil and pins
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Space to be able, 2010 (inside)
260 cm x 190 cm
reused cans, wire, felt, blackout fabric, wadding, chipboard, wood, fixings
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Space to be able, 2010
260 cm x 190 cm
reused cans, wire, felt, blackout fabric, wadding, chipboard, wood, fixings
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Space to be able, 2010
260 cm x 190 cm
reused cans, wire, felt, blackout fabric, wadding, chipboard, wood, fixings
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Under Language, 2010
60cm x 21cm approx
error code printout, music notation, pen
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Under Language, 2010 (detail)
60cm x 21cm approx
error code printout, music notation, pen
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Indevelopment, 2008
130cm x 120cm
newspaper, rice glue, monofilament
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Indevelopment, 2008
130cm x 120cm
newspaper, rice glue, monofilament
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Indevelopment, 2008
130cm x 120cm
newspaper, rice glue, monofilament
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The Playing Frame, 2006
200cm x 150cm x 300cm approx
wood, fixings, tent poles, polyester fabric, thread, rope, digital print, cotton
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The Playing Frame, 2006
200cm x 150cm x 300cm approx
wood, fixings, tent poles, polyester fabric, thread, rope, digital print, cotton
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The Playing Frame, 2006
200cm x 150cm x 300cm approx
wood, fixings, tent poles, polyester fabric, thread, rope, digital print, cotton
A select portfolio of artwork in date order including sculpture, installation, drawing and wall based artworks.
To see more from the studio, including the art making process, art research and inspiration, please join my mailing list for an e-letter with exclusive content and follow my artist’s Instagram.
For more information on any artwork shown, to arrange a studio visit, exhibition or sales enquiries, please do get in touch – details on my Contact page.
As with many fellow contemporary artists, I am interested in creating an art practice which is in balance with ‘nature’ and our ecologies. I am considerate of the art materials I use and aim to reduce waste. Under language (2010), To be able (2010) and Indevelopment (2008) are examples of artwork created by re-using materials, and please see below information on the paper I am using.
*250g/m Claire Fontaine paper, acid free, PEFC. Claire Fontaine create paper that is from environmentally friendly managed forests and have a ‘water trophy’ for their water treatment
Photography credits
Between Materials and Mechanisms, Richard Davies
Your plastic Brain, Sinead Kempley
Not to Scale, www.pausal.co.uk
Lingua Senza Parole, Catherine Jacobs
They Repeated Symbols, Sylvain Deleu
Copyright © Elizabeth Murton 2021